Espace Vanhomwegen
Rue de Russie 31
1060 Saint-Gilles

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  1. Toha De Brant - Ilan Weiss - Sophie Vanhomwegen

     

    Three artists. Three approaches. One exhibition.

     

    At its heart, photography is an act of revelation. For artists Ilan Weiss, Sophie

    Vanhomwegen and Toha De Brant, it is also an act of concealment. Each devoted

    to exploring the transitional space between what is shown and what is kept hid-

    den. Their work challenges the very definition of photography, dissolving the

    image into the textured feel of painting, the play of illusion, and the immediacy

    of sensory experience. One abstracts the gaze, another fractures the body into

    intimate fragments, a third seeks a primordial unity with nature.

     

    The title, When the Veil is Thin, anchors the exhibition. It borrows from spiritual

    traditions that speak of moments- at dusk or dawn, or between seasons - when

    the boundary between the material and the ethereal softens, allowing passage

    between worlds. This idea connects all the works, made visible through blur,

    mask, and shadow. They engage directly with the paradox noted by psychoana-

    lyst D.W. Winnicott: that artists are driven by the twin urges to communicate

    and to conceal. Their imagery is a quest toward growth, moving from a need for

    control toward a state of acceptance. Letting go becomes a method to reinvent

    and transform.

     

    The exhibition is structured around three pairings, each illuminating a different

    facet of this central theme:

    Sophie & Ilan explore the persona as a fragile construction. Their work traces

    the masks worn for performance and for protection, examining the fine line

    where a celebration of self becomes an escape from it. A palpable tension hangs

    between pleasure and decay, between being seen and being lost.

    Ilan & Toha pursue a dissolution of the self into the environment. Their collabo-

    rative energy calls for a reconnection to primal, elemental forces—the body not

    as a separate entity, but as water, earth, and organic matter.

    Toha & Sophie map a topography of the sensuous and unspoken. Zooming in

    on the body, they treat sensuality not as spectacle but as a private language,

    giving form to deeply buried desires. Through moving image, sound, and tactile

    suggestion, they create an immersive field that asks the body to remember and

    the gut to speak.

     

    When the Veil Is Thin is an invitation to lean in closer, to look beyond the surface,

    and to consider what resonates in the quiet space between seeing and sensing.